Tuesday, October 31, 2017

Monthly Movie Round-Up: October 2017

*Total In-Theater Movies Seen This Month15

*Total In-Theater Movies Seen This Year144

Movie Review: "Pumpkinhead" (1988)

Director: Stan Winston
Year: 1988
Rating: R
Running Time: 1 hour, 26 minutes

After his son is accidentally killed in a dirt bike accident by a group of vacationing college kids, Ed Harley seeks out the help of a witch to conjure up a demon known as 'Pumpkinhead' to exact revenge on the group of city folk who wronged him.

It's Halloween! All of the Jack o' Lanterns are out and ready to go, and it's the last day of our Halloween horror movie marathon. We are ending our month-long horror extravaganza with the 1988 film "Pumpkinhead." It is directed by the Stan Winston, who is known more for his special effects work than he is for his directorial work. "Pumpkinhead" stars Lance Henriksen as Ed Harley, the owner of a small town general store and single father of a young spiky-haired boy with glasses named Billy, played by Matthew Hurley. When a group of college-aged "city folk" visit the country on vacation, one rowdy member of the group named Joel, because every group has to have that one asshole, decides that after having a few beer, he wants to go dirt-biking outside Harley's general store. When Ed leaves the store to get some livestock feed for a customer, Billy is in an unfortunate accident when Joel hits him with his dirt bike. Fearing jail time, Joel takes off, because apparently hit and run is a less serious offense than vehicular manslaughter, while the others go off looking for help. When Ed gets back, he is understandably distraught and angry, but instead of contacting the police or taking his son to the hospital, he seeks out the help of a witch who will summon Pumpkinhead, a towering demon who will take revenge on your enemies in exchange for your soul...because that was obviously the rational decision in this situation. 

"Pumpkinhead" is a horror movie inspired by a poem. Yes, a poem, one you can read here if you are so inclined. Much like the poem, this movie is short and simple. It is a tale of revenge and regret. It isn't very deep and mostly consists of a giant pumpkin patch demon tormenting some college kids. It stars more of a collection of stereotypes as opposed to characters, including the loudmouth bro type who causes the conflict and the unwarshed hillbilly kids ridin' 'round in the backs of pickup trucks. The acting isn't exactly good. Anyone can put on a Southern accent, but to be truly successful at it takes practice, and no one here does a great job with it. Despite this, the movie excels in two areas, the special effects and makeup work. This is particularly true for Pumpkinhead and the witch who conjures it. They both look super impressive. That's to be expected since Sam Winston is a renowned FX artist.

In "Pumpkinhead," there is a little bit of tension, numerous jump scares, and a little bit of gore that winds up making this a mostly fun watch, though it is still a rather basic creature feature.


My Rating: 5.5/10
BigJ's Rating: 6.5/10
IMDB's Rating: 6.2/10
Rotten Tomatoes Rating: 65%
Do we recommend this movie: Sure, why not?

Monday, October 30, 2017

Movie Review: "Suburbicon" (2017)

Director: George Clooney
Year: 2017
Rating: R
Running Time: 1 hour, 44 minutes

It's 1959. An African American family has just moved to Suburbicon, a picturesque suburban neighborhood. They are happy to be there, but the same cannot be said for their neighbors, who are up in arms worrying their community is going to hell. Meanwhile, the residents of Suburbicon fail to notice a string of murders and other shady happenings going on in a nearby house.

One thing we can say right off the bat is subtlety and nuance aren't exactly strong points for director George Clooney. For those who saw the "Suburbicon" trailer, just know the movie that's advertised there is nowhere near the one you're going to get. This film starts out displaying what is perceived to be a nice 1950's suburban community called Suburbicon. When an African American family, the Mayer's, move into the neighborhood, all of the inhabitants of this quaint town go full-on white supremacist on this unsuspecting family who didn't do a damn thing wrong. These white people stand outside of the house singing loudly, chanting slurs, banging instruments, and causing chaos all hours of the night, eventually to riotous levels. Around the same time, one street directly behind this nonsense, a couple of men break into the Lodge family's home and murder Mrs. Lodge, played by Julianne Moore. From there, the focus is primarily on the Lodge family and the aftermath and mystery surrounding this murder, which spirals into more chaos and death. This all goes on while the disgusting racist activity continues in the background as a running subplot to the main murder story.

We absolutely get what George Clooney is trying to do here. We understand how he wants to show that racists use scapegoats to explain all of the bad things that happen in their lives, how people constantly look for the "threat of the outside" all while ignoring the threat from within. Unfortunately, this message is handled in such a ham-fisted manner that it comes off as clumsy, annoying, and mean-spirited, all while having the exact opposite effect he wanted. The tone is so uneven that the movie doesn't really know what it wants to be. It attempts to be a powerful, hard-hitting social drama, a dark comedy about a bumbling criminal, and a murder-mystery, but it fails at all of these aspects. Half of the time, it feels like many of the moments in "Suburbicon" are meant to be funny, but are nowhere near humorous. Other times, things that are clearly supposed to be serious in tone come off as humorous. It's a straight-up clusterfuck.

We were very much looking forward to "Suburbicon" and are especially disappointed because the film has such a strong cast of characters behind and in front of the camera. Hell, it's even written in part by Joel and Ethan Coen, and we love almost all of their projects. There are many Coen-esque elements here, right down to the look of the film. The entire area of Suburbicon looks directly ripped from the minds of Joel and Ethan Coen, but once George Clooney and his writing partner Grant Heslov went in and tinkered with their script, we have a hunch that's when it turned into a whole different ballgame. The set design and costumes are all excellent looking. Unfortunately, the story and its structure are little more than a cheap imitation of what could have been a far superior Coen brothers project. The high point of this film is Oscar Isaac, who shows up for a brief amount of screen time. He seems to be the only one who knows and fully grasps the intended tone of the picture, but he's gone before he's ever really given a chance to do anything drastic, important, or worthwhile with the material.

In the end, "Suburbicon" is a huge freakin' mess. It's obvious that George Clooney's heart was in the right place. However, this feels like three separate films that have been combined into one, and no matter how hard he tried, the pieces never quite fit together. It's one of the worst and most disappointing movies of the year for us.

**Did you know we have a podcast? Check out the episode where we discuss "Suburbicon" right here! Our review starts at 17:45!


My Rating: 3/10
BigJ's Rating: 3/10
IMDB's Rating: ~4.6/10
Rotten Tomatoes Rating: ~26%
Do we recommend this movie: AVOID LIKE THE PLAGUE!!!

Movie Review: "Life, Animated" (2016)

Image Source
Movie"Life, Animated"
Director: Roger Ross Williams
Year: 2017
Rating: PG
Running Time: 1 hour, 32 minutes

An autistic man learns to connect to his family and the world through Disney films.

"Life, Animated" is a documentary directed by Roger Ross Williams. It is based on the book of the same name by Ron Suskind. It tells the story of Owen Suskind, an autistic man who, as a boy, hardly spoke. His family tried everything they could to get him to communicate with them, but it was only through the power of animated Disney movies that he finally learned to speak.

Many documentaries are dark in tone and tell tales of tragedy and murder. Some bring little-known events and subjects to light. Others tackle political or social issues and are designed to instigate a response from the audience. "Life, Animated" falls into another category as it is a feel-good documentary about one man's ability to overcome his challenges through an amazing method. It is a lighthearted, inspirational film that appeals to our emotions and has strong resonance to us as movie lovers. It shows the true power of art and displays how connecting with someone in an artistic manner (in this case through watching films) can bring positive change, even when unintended.

"Life, Animated" is an interesting, intimate story told in a unique way about a very likable guy. The film uses beautiful little animations to bring the stories told by Owen and his family to life. By using this style of storytelling, we get a firsthand look at how Owen understands and identifies with the world around him through his own eyes. We don't often "do well" with touching films like this because we are such cynical bastards, but this documentary sure warmed our hearts. We definitely recommend watching this documentary.


My Rating: 8.5/10
BigJ's Rating: 7.5/10
IMDB's Rating: 7.6/10
Rotten Tomatoes Rating: 94%
Do we recommend this movie: Yes!

Movie Review: "Found Footage 3D" (2017)

Director: Steven DeGennaro
Year: 2016
Rating: NR
Running Time: 1 hour, 40 minutes

A group of independent filmmakers documenting the making an independent 3D found footage horror movie find themselves in a real-life horror situation.

A documentary about making a found-footage horror movie becomes a found-footage horror movie. It's sooooooo meta. Found-footage films have been around for a long time. One of the earliest examples is "Cannibal Holocaust" from way back in 1980. Some of them work really well, and some don't work at all. They are often nonsensical and loaded with cliches. Writer/director Steven DeGennaro attempts to do something a little different with the genre by making a self-aware found-footage flick in "Found Footage 3D." It is about a film crew making a low budget found-footage horror movie. They are shooting it at what the locals claim is a haunted house with a tragic history. While they shoot their movie, weird things begin to happen as the crew members become victims of an actual haunting. The movie star Carter Roy, Alena von Stroheim, Chris O'Brien, Tom Saporito, Scott Allen Perry, and Jessica Perrin, who make up the members of the cast and crew of the movie within the movie.

It would seem Steven DeGennaro wants to do to the found-footage genre what Wes Craven did with "Scream" and the slasher genre: he wants to make a movie that spends much of the time pointing out the tropes and cliches of that style of filmmaking, only to fall into the tropes and cliches of the genre. By pointing out they are aware they are making a cliche-riddled movie, the hope is that it will make it perfectly acceptable to make a cliche-riddled movie. This can work...up to a point. The problem is "Found Footage 3D" spends so much time being meta that it forgets to be anything else. The vast majority of the film is insufferably boring and consists of a separated couple arguing while they are pretending to be a married couple whose relationship is falling apart for their movie. This winds up being more annoying than engaging or interesting. The film slogs along for about the first hour and thirty minutes as it builds to its final conclusion. The last ten minutes is when the audience finally gets an all-out horror bloodbath, and we will admit, this last little bit has some really satisfying gore in it. Unfortunately, these precious few minutes aren't enough to justify the molasses-slow 90 minutes leading up to it. "Found Footage 3D" easily could have been 30 minutes shorter. In fact, this material may have been better suited for a short film. It fails to build the necessary tension and suspense needed to make a found-footage movie successful, and the satire just isn't good enough to make the entire thing funny on a consistent basis. In the end, the movie winds up being even less tolerable than most of the found-footage films it is making fun of for nearly its entire runtime.


My Rating: 4.5/10
BigJ's Rating: 4.5/10
IMDB's Rating: 6.7/10
Rotten Tomatoes Rating: NA%
Do we recommend this movie: Sure, why not?

Sunday, October 29, 2017

Movie Review: "The Snowman" (2017)

Director: Tomas Alfredson
Year: 2017
Rating: R
Running Time: 1 hour, 59 minutes

Detectives Harry Hole and Katrine Bratt investigate a series of missing person cases, which soon evolves into a homicide investigation.

We love a good whodunit crime thriller. The mystery of it all, the twists and turns, the shocking reveal, these elements are what we hope to witness while watching worthwhile and well-made thrillers. When we first heard about "The Snowman," we were immediately drawn in by its fantastic cast, including Michael Fassbender, Rebecca Ferguson, Chloë Sevigny, and J.K. Simmons.  Plus, we saw that the movie was being directed by Tomas Alfredson, who directed one of our favorite vampire horrors of all time, "Let the Right One In." Needless to say, we were pretty excited for this flick. This movie, much like "The Dark Tower" from earlier this year, drops viewers in the center of this already established franchise and is based on the seventh book in the Harry Hole detective series written by Jo Nesbø.

Poorly named protagonist aside, the movie starts off decently enough. The story follows Harry Hole, played by Fassbender, as he investigates some missing person cases that soon become connected homicide cases. Each of these incidents involves a serial killer who leaves a Snowman at the scene of every crime. Good ol' Harry Hole is partnered up with Katrine Bratt, played by Ferguson, who aids in the investigation but seem a little too personally invested in the outcome. About 20 or so minutes in, we noticed the story and movie as a whole started to drag on and on and on, and it only goes downhill from there.

There are movies like "Geostorm" and/or "Boo 2! A Madea Halloween" that are incompetent on every level. We're talking from the technical aspects to the poor directing, from the subpar acting to the writing, right down to the way the story's elements fall into place. Then, there are movies like "The Snowman," which have relatively good acting and are well shot but are so poorly written and so sloppily and lazily put together that it almost makes it a less forgivable project. This movie had all of the components to make what should have been a successful film. Fassbender, Ferguson, and Simmons do well with what they have (despite Simmons' not-so-great accent), but even though it is pretty to look at, it fails to come together in any meaningful way.

The biggest failure is its ending. In any movie with a twist, part of the goal is to get the audience to be surprised, but to also make them say, "oh yeah, that makes so much sense, how did I miss that?!" Movies that accomplish this include the likes of "The Usual Suspects," "The Sixth Sense," "The Prestige," and even horror movies like "Saw." "The Snowman," however, has an ending that comes so far out of left field that we were not shocked or in awe of it, we were simply left confused, baffled, and angry with how the writers and director thought they could get away with such a shitty ending. This is not to say it is complex to follow, but nothing in the entire span of the movie could have led us in that direction at all. At one point, I looked over to BigJ and said, "could this person be the killer? They wouldn't do that, right??" LO AND BEHOLD, I GOT ONE RIGHT! The murders could have been a conspiracy between Ronald McDonald and Barney the dinosaur and it would have made just as much sense as the ending for "The Snowman." Seriously, the killer could have literally been a snowman and it would have been more satisfying than the conclusion we got. It thinks it's sooooo smart when really, it's just plain stupid because NO CLUES GET GOT.

No amount of good acting or halfway decent directing can make a movie like this acceptable. On top of being maddeningly idiotic, "The Snowman" is also one of the most boring, tedious, asinine films we've seen in 2017. What a freakin' waste.

**Did you know we have a podcast? Check out the episode where we discuss "The Snowman" right here! Our review starts at 39:23!

My Rating: 2/10
BigJ's Rating: 2.5/10
IMDB's Rating: ~5.2/10
Rotten Tomatoes Rating: ~8%
Do we recommend this movie: AVOID LIKE THE PLAGUE!!!

Movie Review: "Nightbreed" (1990)

Image Source
Movie"Nightbreed" (Director's Cut)
Director: Clive Barker
Year: 1990
Rating: R
Running Time: 2 hours, 00 minutes

A young man named Aaron Boone has weird visions of demons and a place called Midian. After he is framed as a serial killer, Aaron seeks out the place from his dream, but when he is gunned down by police, he decides to take up residence in Midian and join the demon-like creatures he once feared.

Clive Barker is a fairly well-recognized name when it comes to the horror genre. Despite that recognition, he has actually only directed three theatrically released feature-length films. The first is his movie, 1987's S&M inspired "Hell Raiser." Another one of his features is the 1995 flick "Lord of Illusion," and the last is this film, "Nightbreed." It stars Craig Sheffer as Aaron Boone, a young man who regularly dreams of demon-like creatures and the place called Midian where they are said to live. He tells his psychiatrist Dr. Decker, played by David Cronenberg, about his dreams. Dr. Decker then convinces Aaron he is responsible for a string of murders that have happened and that he is a serial killer, but doesn't know it because of his mental condition. After hearing this, Aaron goes in search of Midian and discovers it is very much a real place. Unfortunately, the police catch up with Aaron and gun him down. Once he is dead, he is allowed to join the monsters of this town, but their home is threatened and he must now lead them in a battle against the invading humans.

The one thing we can say about Clive Barker is he has quite the imagination when it comes to dark and macabre visuals. We saw the manifestation of his visions in "Hellraiser" and he continues that trend here in "Nightbreed." No matter how poorly constructed the narrative may be, it is at least visually interesting and awesomely bizarre. There is a lot of fabulous makeup work and tons of excellent visual effects implemented on the creatures of "Nightbreed," both of which are brought to life by Bob Keen and Geoffrey Portass. As we mentioned, the story isn't the best and the characters aren't exactly well developed. There are still a lot of tropes going on, like the easily manipulated police officers who seem to be a horror genre staple. That being said, we were still fairly entertained by the action and the visuals and were kept fairly engaged all the way through. It's not the greatest movie film ever, but still a fun time and is worth checking out for those who want to see all of Clive Barker's films.


My Rating: 6/10
BigJ's Rating: 7/10
IMDB's Rating: 6.5/10
Rotten Tomatoes Rating: 36%
Do we recommend this movie: Sure, why not?

Saturday, October 28, 2017

Movie Review: "Band Aid" (2017)

Director: Zoe Lister-Jones
Year: 2017
Rating: R
Running Time: 1 hour, 31 minutes

In an effort to save their marriage, Anna and Ben form a band and use their arguments to write songs.

Turning a bad relationship into inspiration for music has worked for Taylor Swift, Sam Smith, and Adele, so why can't it work for this couple? Zoe Lister-Jones is the writer, director, producer, and star of "Band Aid," a quirky indie comedy with dramatic undertones... as if there is any other kind of indie comedy. Lister-Jones plays Anna, who is married to Ben, played Adam Pally. Anna and Ben are constantly at odds with one another and bicker over the most trivial things. While at the birthday party of Anna's godson, she and Ben start messing around with a couple of toy instruments. This gives them the idea to start writing songs together. About what, you may ask? They intend to use their songwriting and music as a form of therapy in their marriage. Actually... when we think about it, it was never really the music that made them stop fighting. It was the potential for having success  while doing something creative that really stopped their fighting. It was when Anna thought their band could turn into something more than farting around in their garage that she was happy enough to stop fighting. Or maybe she was happy because her husband finally got up off the couch, pried himself away from his video games and his marijuanas, and decided to do the damn dishes. Who really knows, it all happened around the same time they formed their group.

Viewers should be warned, a good 50-60% of this film contains nothing more than Anna and Ben yelling at each other over and over, and their fights get progressively worse. "Band Aid" begins with a cold start and everything that happens before the title screen is a bit rough. There is the occasional witticism thrown in here and there, but it's mostly just two people arguing about all of their problems big and small. Luckily, shortly after the title, Fred Armisen shows up and offers some very funny moments to sustain the audience through the contention. For us, the best moments are when Armisen's character Dave, Anna and Ben's weird, quirky neighbor, eventually joins their band as the drummer. Unfortunately, he has a relatively small role. Can we get a Dave spin-off story??

Since this is a movie about the power of music, we hoped it would have some good tunes to go along with the epic arguments. When we've watched other music-centric movies like John Carney's "Once," "Begin Again," or "Sing Street," we've left those films with songs stuck in our heads wanting to hear them again and again. At the end of "Band Aid," we struggled to remember a single tune or lyric and didn't really care to seek out its soundtrack.

There are a few laughs throughout the film in between all of the yelling and screaming, some minor chuckles and some big belly laughs. The screenplay does a good job showing a realistic look at a rocky marriage, though it does wind up with a message that basically says couples fight because men and women are biologically different and handle emotions in different ways. It also says fights are a part of a relationship and people just need to accept it. "Band Aid" has some good and some not so good. Luckily, Lister-Jones and Pally have great chemistry (even while they are yelling at each other) and Fred Armisen is hilarious, so you most likely won't be bored. If you're newly married, however, you may want to wait a few years until you watch this movie.
My Rating: 6/10
BigJ's Rating: 6/10
IMDB's Rating: 6.7/10
Rotten Tomatoes Rating: 85%
Do we recommend this movie: Sure, why not?

Movie Review: "Maniac Cop" (1988)

Director: William Lustig
Year: 1988
Rating: R
Running Time: 1 hour, 25 minutes

A man dressed as a police officer goes on a murder rampage across New York City.

The police uniform represents authority and is supposed to be a symbol of security. So imagine the surprise of someone expecting help, only to get murdered by one of the boys in blue. That is the general premise of William Lustig's "Maniac Cop." Besides this film, Lustig is known for directing the original "Maniac," and two of the "Maniac Cop" movies, so it's safe to say he likes maniacs. In fact, more than a third of the non-pornographic films he has directed have been about maniacs. The movie is written by Larry Cohen and is about a cop murdering people in New York City. Simple enough, but can it be effective? It stars Tom Atkins as detective Frank McRae, who is investigating the murders. Joining him are Bruce Campbell, Laurene Landon, Sharee North, who are all suspects or suspected accomplices in the killings. Also in the film are Richard Roundtree and William Smith, who play horror movie stereotypes in the form of dumb figures of authority.

This flick is a clumsily made, poorly constructed 80's slasher flick that is only interesting at all because the antagonist is a cop. The feature starts out like any other whodunit mystery as detective McRae looks for evidence to find the killer. It becomes very apparent very quickly this is not a true mystery. There are no real twists or turns, and the only reason we don't know the killer is that the character hasn't been introduced. There is a false suspect, but that individual is not there for our benefit since we know immediately they are innocent. They are only there to be placed in circumstantial situations. As we mentioned above, what kind of horror movie would this be without there stereotypical dumbass authority figures? These idiots keep pointing the finger at the innocent suspect all while the killer goes free. This all happens despite the fact that the lead detective on the case has already told them they have the wrong guy since he was attacked by the killer while the patsy was in custody. UGH. The script is extremely poorly written and doesn't exactly make a whole lot of sense. There is no rhyme or reason to anything, and there is no organic narrative whatsoever. This movie would be alright if the slasher elements were good, but even the murder parts are mediocre. The only redeeming quality of this movie is Bruce Campbell and a 'blink and you miss it' social commentary about police abuse of power that still remains relevant today.

Sadly, "Maniac Cop" is a dull affair.


My Rating: 4/10
BigJ's Rating: 4/10
IMDB's Rating: 6/10
Rotten Tomatoes Rating: 50%
Do we recommend this movie: No.

Friday, October 27, 2017

Movie Review: "Only the Brave" (2017)

Director: Joseph Kosinski
Year: 2017
Rating: PG-13
Running Time: 2 hours, 13 minutes

The true story of the Granite Mountain Hot Shot firefighters from Prescott, AZ.

Movies based on true stories can give much-needed depth to stories people are already familiar with, or they shed new light on unheralded heroes who haven't received their due. "Only the Brave" manages to do a little bit of both, at least for us. We didn't know anything about the Granite Mountain Hot Shots or their story going into the film, so it was all new information to us. For those that do know their story, we're sure this film will help add a little insight into the day to day lives of the people in this group, though there is obviously a little Hollywood flair added for dramatic effect. The film is directed by Jeff Kosinski and is written by Ken Nolan and Eric Warren Singer based on the GQ article "No Exit" by Sean Flynn. It tells the story of the Granite Mountain Hot Shots, the first municipal wildfire-fighting Hot Shot team in the country. Even though the story is mainly about the group as a whole, the focus of the story is on two characters: Eric Marsh, played by Josh Brolin, and Brendan McDonough, played by Miles Teller. Eric Marsh runs the show as the team's "supe." He is married to Amanda, played by Jennifer Connelly, and much of the film is focused on their relationship and the dramas that come with marrying a firefighter who spends 90% of his time away from home. Brendan is the new rookie of the group who prior to joining them had problems with drugs and crime. He is now looking to turn his life around, and since he just became a father, wants to do right by his daughter.

As mentioned above, we knew nothing about this crew or their exploits going into the film. We do think it aided in our enjoyment. Since we didn't know where the whole story was going, we were surprised at every turn. If you don't know the story, we suggest you go in knowing as little as possible for maximum effect. Though the focus remains on Eric and Brendan's characters, "Only the Brave" also takes the time to get to know many of the people involved in the Granite Mountain Hot Shots team as individuals. This helps the audience relate to these people on a more personal level. Furthermore, it explores the familial aspects of being part of a group like this, how the wives of the firefighters band together when someone needs help, how the men are friends outside of work in addition to working together on the front lines, etc.

The film has a great cast, and the actors put on an excellent performance. Josh Brolin, Miles Teller, and Jennifer Connelly have the most prominent, weighty parts, but Jeff Bridges, who has a much smaller supporting role, does a fantastic job as well. We were deeply engaged by the story and by the people and the characters. This story is one of comradery, brotherhood, bravery, and family. It's not all drama, however. There are some moments of sheer intensity as fires bear down on the Hot Shots, but this isn't the kind of story that tries to sensationalize these moments. Kosinski handles them in a fairly honest manner with realistic effects to back them up.

The one big flaw of "Only the Brave" is it does have a few moments that drag on and on. Many of the domestic squabbles get a bit overemphasized, and we could have done without two or three of the fight scenes, particularly between Eric and Amanda. It is a bit too long, though this is a double-edged sword of sorts. It needs its length to help the audience care for and identify with these individuals and their group, but it also could have been trimmed down about 10-15 minutes. Other than that, we really enjoyed this harrowing movie, and we are glad we're now aware of the Granite Mountain Hot Shots. Really well done!

**Did you know we have a podcast? Check out the episode where we discuss "Only the Brave" right here! Our review starts at 24:18!

My Rating: 8/10
BigJ's Rating: 8/10
IMDB's Rating: ~8.1/10
Rotten Tomatoes Rating: ~90%
Do we recommend this movie: Yes!

Movie Review: "The Fly" (1986)

Director: David Cronenberg
Year: 1986
Rating: R
Running Time: 1 hour, 36 minutes

Scientist Seth Brundle has just developed a matter transporter, but when he tests it on himself, a fly gets in the transport chamber with him, causing their genes to unintentionally splice in the process.

Just recently, we watched and reviewed Kurt Neumann's 1958 horror classic "The Fly," which was more of a slow-paced drama with a little horror thrown in to keep it interesting. We decided to watch David Cronenberg's 1986 version of "The Fly" for comparison's sake. It just goes to shows all remakes aren't inherently a bad idea. Much like the original, this is a film about a scientist who is working on developing a matter transporter. Once he tests it on himself, his genes get spliced with the genes of a fly when it sneaks into the transporter with him. The major difference is, in the more modern version, the scientist becomes a single, slowly evolving hybrid version of the two creatures instead of two separate ones. This remake stars Jeff Goldblum as Seth Brundle, the aforementioned scientist attempting to perfect matter transportation. Joining him is Geena Davis as Veronica Quaife, a reporter for a tech magazine who is trying to get a scoop on the story of Seth's discovery, but winds up falling in love in the process. The final major player in the film is Jon Getz as Stathis Borans, Veronica's editor and former lover who becomes a point of contention throughout the movie.

We're not always fans of remakes, but in some cases, they actually wind up being an improvement on an old story or concept. Such is the case with Cronenberg's "The Fly." He has taken a classic story and truly made it his own bizarre, disgusting, engaging and entertaining story. Jeff Goldblum is the perfect casting choice as the rambling, somewhat hyperactive scientist Seth Brundle. Goldblum would go on to play similar roles many more times throughout his career, but this is one of his best performances. Geena Davis does a great job as a driven reporter who is put in an extremely worrisome situation later in the film, which leads to a very unnerving visual moment.

Speaking of unnerving moments, you can't talk about "The Fly" without talking about the insane visuals. They are brought to life by some impressive makeup work and tremendous creature effects by Chris Walas and Stephen Dupuis. Their work on the fly creature is astounding and utterly disturbing. These visually unsettling images help make the film the success that it is, and they took home a much deserved Acadamy Award for their efforts. These aspects still hold up extremely well today.

Though the story of "The Fly" is a fairly simple and effective horror story, it also deals with personal identity and explains a tale of one man's Icarus Syndrome. It demonstrates our desire to fly but shows how someone flying too high too quickly without taking proper precautions will cause them to get burned. David Cronenberg is known for making weird and unnerving films, and "The Fly" is certainly one of his best and one of our favorites. We love Jeff Goldblum and Geena Davis here, and when all of these aspects are combined with its incredible visuals, you've got one hell of a horror for the ages.


My Rating: 8.5/10
BigJ's Rating: 8.5/10
IMDB's Rating: 7.5/10
Rotten Tomatoes Rating: 91%
Do we recommend this movie: Yes!

Thursday, October 26, 2017

Short Film Review: "One Halloween" (2017)

Image Source
Director: Rebecca Murga
Year: 2017
Rating: ---
Running Time: 15 minutes

A soldier who lost his leg while serving in the military teaches his daughter's bully a lesson.

Veterans in Film & Television have partnered with The National Association of Latino Independent Producers (NALIP) to support writer/director Rebecca Murga and her short film "One Halloween," a touching tale of a former soldier and his child. Murga is an Army combat veteran who served in Iraq and Afghanistan and wanted to make a short film starring actual disabled combat veterans. Here, we get an interesting and unique look at life after combat through the eyes of one father, played by Joey Banegas. This short touches on his post-traumatic stress disorder and how he must try to reconnect with his family, especially his 10-year-old daughter, post-war. It also details the stresses of coming home and attempting to reintegrate his life back into some sense of normalcy.

This is a short filled with both humor and heart, and it goes places we didn't expect. We really enjoyed watching it. We loved seeing a man who lost his leg in the war along with his fellow soldiers find a way to use their situation to teach some mouthy kids a lesson on Halloween. It's actually pretty perfect for this time of year, but more importantly, it shows how those impacted by combat must try to move forward from their experiences and learn to love themselves and others all over again. We commend director Rebecca Murga for her efforts. She has a tremendous flair for writing and working behind the camera!

My Rating: 8/10
BigJ's Rating: 7/10
IMDB's Rating: ---/10

To see the trailer for "One Halloween," click here.

Movie Review: "Tyler Perry's Boo 2! A Madea Halloween" (2017)

Director: Tyler Perry
Year: 2017
Rating: PG-13
Running Time: 1 hour, 49 minutes

When Tiffany turns 18 years old, she decides to give the frat house Halloween party a second go around now that she's legal. After the trouble they incurred last year, the frat is throwing their Halloween party at a lake, which was also the location of a string of murders back in the day. When the kids are partying, they are met by some demons from the past that want to spoil their fun.

Last year, Tyler Perry unleashed "Boo! A Madea Halloween" upon the world, which was a box office success despite poor critical and audience reviews. It went on to make $74 million on a $20 million budget, so there should have been little surprise when Perry announced a sequel would be coming. Of course, we never expected to get a sequel so quickly slapped together just one year later. We will admit, the first "Boo!" movie was pretty bad, but it was at least somewhat tolerable and we laughed a couple of times. We cannot say the same about "Boo 2! A Madea Halloween."

This sequel is once again centered around Tiffany, played by Diamond White, the spoiled, bratty daughter of human doormat Brian, played by Tyler Perry. It is Tiffany's 18th birthday, and the movie starts off with her getting mad at her dad because he didn't buy her a car for her birthday. Apparently, she thinks she's owed one for simply coming of age? As a character, she instantly loses us here. This also means she didn't really learn her lesson from the first movie. Shocker. Brian has an ex-wife named Debrah, played by Taja V. Simpson, who undermines him at every turn and is married to a man named Calvin, played by Akende Munalula, who refuses to even acknowledge Brian's existence, regularly ignoring him when he is directly addressed. Is this supposed to be funny? Because it happens repeatedly and it's never funny. It's damn disrespectful and it makes Brian look like an asshole for allowing it to happen to him. Of course, then there's Madea, also played by Tyler Perry, and her crew of one-note caricatures including Joe, also played by Tyler Perry, Aunt Bam, played by Cassi Davis, and Hattie, played by Patrice Lovely. Their shtick runs thin after about a minute. Just like the last installment, Tiffany wants to go to a party at the local fraternity. Her dad says no, but her mom says yes, so she gets to go. This year, the party is being thrown at a lake where a bunch of murders happened many years ago, and expected, shit starts to go awry. 

Like we mentioned above, we didn't hate "Boo! A Madea Halloween," so we went into this sequel hoping we wouldn't hate it either. That sure as shit didn't work out for us. Within 15 minutes, we were already done with this insipid, tedious, unpleasant, uninspired piece of trash movie. The acting is horrible, somehow even worse than the original. The writing is atrocious, but beyond being unfunny and plain ol' stupid, it also adds an extra layer of misogynistic offensiveness on top of it. The story is neither comedic nor horrific, which makes it fail on all levels. We loathed every single one of the characters because none of them are charming, witty, or remotely relatable. They are all caricatures of themselves, the most over the top, obnoxious, crass versions of their original selves, and none of the actors have any ability to make them feel authentic. We guess that's what happens when you fill the cast with YouTubers and social media celebrities and try to make them actors. Also, what the hell is Tito Ortiz doing in this movie??! We like Tito and have followed his entire MMA career, but good god, he cannot act. We thought Randy Couture and Georges St. Pierre were bad, but Tito Ortiz takes the cake.

It's painfully evident this sequel was rushed during post-production to give it an October 2017 release date because it has some of the worst editing we've seen all year. There are several instances when a conversation begins, is abruptly ended, and is then picked up and continued in a scene later. It's as if the movie wasn't put together properly in post-production. Also, curse words ranging from "damn" to "fuck" are dubbed in post and are sloppily inserted in the movie. We can only assume "Boo 2!" was shot with an R rating in mind and edited down in an effort to give it a PG-13 rating. This is baffling to us because even in PG-13 movies, most of these words (especially "damn") are perfectly acceptable. We know this sounds nit-picky, but it's not something that happens once or twice. IT HAPPENS OVER 20 TIMES, each instance more obvious than the last! It's poor, lazy craftsmanship at its finest.

We really don't have a whole lot to say about "Boo 2! A Madea Halloween." This movie just about broke us. It is truly one of the worst movies of the year in every way, shape, or form. You already know you shouldn't see it, so don't. Just don't. It's bad bad, so please don't waste your time or money on it.

**Did you know we have a podcast? Check out the episode where we discuss "Tyler Perry's Boo 2! A Madea Halloween" right here! Our review starts at 3:18!

My Rating: 1/10
BigJ's Rating: 1/10
IMDB's Rating: ~3.1/10
Rotten Tomatoes Rating: ~7%
Do we recommend this movie: AVOID LIKE THE PLAGUE!!!

Movie Review: "The Fly" (1958)

Director: Kurt Neumann
Year: 1958
Rating: Approved
Running Time: 1 hour, 34 minutes

A scientist who developed a matter transporter suffers a terrible side effect when he tests the invention on himself. 

Movies have always loved to warn audiences of the dangers of striving for scientific advancement. "The Fly" is one such film. It starts out as sort of a murder mystery where Helene Delambre, played by Patricia Owens, is being investigated for crushing her husband's head in an industrial press. She admits to doing it, but the only question the police have is why. This is what we find out as Helene tells the story of the weeks leading up to her husband's death, about the experiment he was working on, and how it all horribly went wrong. Joining Patricia Owens are David Hedison, who plays her husband Andre, Vincent Price, who plays her brother-in-law François, and Herbert Marshall, who plays Inspector Charas, the man investigating Andre's death.

Like many old-school horror films, "The Fly" is a slow-burning drama that is meant to have a shocking climax. It isn't so much what happened, but the visual of finally seeing the results as post-accident the character of Andre spends most the film with a towel over his head. It's clear what happened to him since we can see his hand multiple times, which is included in all its grotesqueness for a little shock value before the big final reveal of his head. There is also a lot of talk about a white-headed fly which plays into the final iconic moments of this film that have been homaged and parodied by many in the decades that followed.

"The Fly" isn't steeped in tension, but it is an intriguing tale showcasing an example of Icarus flying too high and getting burned. In an attempt to change the world, Andre found only his own destruction. There is quite a bit of tragedy to "The Fly" and you really feel for the characters, especially Helene, who has to deal with the moral implications of her actions. In the end, though a little slow at times and quite dated, it still is an interesting story with epic acting.


My Rating: 6/10
BigJ's Rating: 6.5/10
IMDB's Rating: 7.1/10
Rotten Tomatoes Rating: 95%
Do we recommend this movie: Sure, why not?

Wednesday, October 25, 2017

Movie Review: "The Craft" (1996)

Director: Andrew Fleming
Year: 1996
Rating: R
Running Time: 1 hour, 41 minutes

A group of high school girls who practice witchcraft starts to use their magical powers for revenge and personal gain. Things quickly get out of hand.

See, this is what happens when you give catty teenage girls magical powers! "The Craft" is a film about four of the most powerful teenage witches to come out of the 90's who are not named Sabrina. It stars Robin Tunney as Sarah, the new girl at her Catholic school. She has just moved from San Francisco to Los Angeles with her family. A short time after arriving, she becomes ostracized when star football player Chris Hooker, played by Skeet Ulrich, starts a nasty rumor about her sexual practices and prowess. Now that she's a bit of a pariah, she starts to hang out with three other outcast girls named Nancy, Bonnie, and Rochelle, played by Fairuza Balk, Neve Campbell, and Rachel True. This group of girls just so happen to dabble in witchcraft, and Sarah becomes the key fourth element in their group. It turns out, she was just what they needed to make their spells work properly. The girls, being the bitter catty teenagers they are, use their powers to get even with those who have wronged them, and really, most of the people in their crosshairs deserved it. Of course, things start to spiral drastically out of hand when people start dying.

"The Craft" is a typical 90's horror movie that has been targeted to a teenage audience despite its R rating. The film was clearly shot with a PG-13 rating in mind since there really isn't much in the way of gore, language, or sex. Despite that, the film still got slapped with an R rating dues to its occult themes and an attempted rape scene.

This really isn't a "good movie" in the traditional sense. The acting is pretty bad all around. Robin Tunney can barely do anything convincingly, and Fairuza Balk is so over the top when delivering all of her lines that it's laughable. Everyone else in the movie is pretty one-note in terms of their performances and their characters. The story is relatively weak. When it comes down to it, it's little more than a high school drama with some witchy magic thrown in for fun. The narrative is comical at times, and there is a point when the witches turn on each other the catalyst for which is a bit ridiculous. Despite everything wrong with "The Craft," we would be lying if we said we weren't entertained by the absurdity of it all.

Despite its bad acting, writing, and 90's CGI, we still had a really fun time watching "The Craft" in all its campy emo witchy teen drama glory. It's these kinds of movies that are destined to become classics down the line and we're glad we gave it the time.


My Rating: 6.5/10
BigJ's Rating: 5.5/10
IMDB's Rating: 6.3/10
Rotten Tomatoes Rating: 50%
Do we recommend this movie: Sure, why not?

Tuesday, October 24, 2017

Movie Review: "Geostorm" (2017)

Director: Dean Devlin
Year: 2017
Rating: PG-13
Running Time: 1 hour, 49 minutes

After global climate change leads to a string of catastrophic weather events, all world governments come together and decide to build a giant network of weather-controlling satellites to fix the problem. The device, known as 'Dutch Boy', works very well, but when something goes wrong, it starts to cause massive weather events far worse than anything it was built to prevent. 

We can see it now. Writer/director Dean Devlin thought to himself, "you know how there are movies about tornadoes, floods, massive fires and huge snowstorms? What if, in the Hollywood tradition of "bigger is always better," we took all of those natural disasters and combined them into one film? How amazing would that be?! Oh, you want me to think of a name? I've got it! We'll call it....."Geostorm."

...yes, that's right, "Geostorm." What the fuck is a Geostorm you ask? Well, it's a made up fucking word, but in the context of the film, it's when a series of storms occur simultaneously all around the world, setting off a never-ending chain of catastrophic weather events that cannot be stopped. Luckily, we know down to the second of how long it will take once the disasters start, thanks to the giant countdown clock on a computer screen, so exactly how long our protagonists have to stop it from happening is no mystery.

To sum up the plot of this movie, in short, people have fucked up the planet to the point where catastrophic weather events are a regular occurrence. Now, the only one who can fix it is Gerard Butler and his giant weather-controlling machine known as DUTCH BOOOOIIIIII. Politicians don't like Butler's insubordinate attitude, so they make his little brother Jim Sturgess fire him. With Gerard Butler gone, several years later, something goes wrong, and apparently, the person who can fix it is the guy they fired. Ed Harris demands that Jim Sturgess hires Gerard Butler back, and everything goes tits up from there.

This movie is, without a doubt, one of the biggest, most gigantic messes of the year. The acting is next level awful, especially from Jim Sturgess. The story doesn't make a lick of sense. The dialogue is terrible. The CGI isn't up to par when it comes to the epic disaster scenes. It's painfully obvious director Dean Devlin kind of wanted this to be fun like "Armageddon," but he also wanted a more serious tone with social and moral repercussions like "Deep Impact." What we wind up with is a muddled mess that lands somewhere in between. And yet...

And yet....

This disaster film is such a, well, disaster, that it flings itself towards the bottom of our rating scale and hits it with such force that it actually bounces off the bottom and somehow, despite all logic and reason, heads back up the scale. How is this possible? This movie such an epic failure that, about 20 minutes into its runtime, we started uncontrollably laughing and couldn't stop. Not laughing at any of the jokes or wit, because, let's be real, there's none of that to be found, but laughing at how bad this piece of crap was. There are certain buzz words and phrases used to make the project seem more serious. Whenever anyone uttered the word "Geostorm" or said the phrase "I'm locked out!," we just cracked the fuck up and roared with laughter. There is a car chase scene that happens during a lightning storm, and at the end of it, someone fires a bazooka. This caused uncontrollable laughter from both of us. This was much to the chagrin of the couple behind us in the theater, who seemed upset that we were laughing at what was supposed to be an intense scene, but we're not sure they could tell the difference since they were talking loudly the entire movie.

"Geostorm" is one of the funniest movies we've seen this year. That probably wasn't Dean Devlin's intent, but so what? We had a good time watching this movie, we cannot deny it. Don't get us wrong, this movie is atrocious. It will and should wind up on many worst of the worst lists of the year, so chances are, you won't enjoy it. However, we have seen so many soulless comedies this year that for us to have enjoyed something on this scale was a feat we didn't think was possible. We enjoyed ourselves because to make a movie that is a failure isn't hard, but to make a movie that is such an epic failure on every conceivable level takes some real talent.

My Rating: 4/10
BigJ's Rating: 4/10
IMDB's Rating: ~5.9/10
Rotten Tomatoes Rating: ~10%
Do we recommend this movie: No.

Movie Review: "Puppet Master" (1989)

Director: David Schmoeller
Year: 1989
Rating: R
Running Time: 1 hour, 30 minutes

A group of colleagues, each with a form of ESP, are invited to a hotel owned by an old acquaintance who recently committed suicide. They believe he may have uncovered the secret of Toulon the puppet master and hope to find where he hid it. However, they are met by a group of murderous puppets who seem determined to eliminate them one by one.

Oh, look, another killer doll movie! As you may have seen from our last few reviews, the late 80's contained a treasure trove of movies featuring murderous toys. It started with "Dolls," then "Child's Play, which popularized the subgenre, and eventually in 1989, we had director David Shmoeller's "Puppet Master." The film stars Paul Le Mat, Irene Miracle, Matt Roe, and Kathryn O'Reilly, who play four colleagues named Alex, Dana, Frank, and Carissa. Each person has a different form of ESP. After they all have a separate vision, they believe an old colleague of theirs named Neil Gallagher, played by Jimmie F. Skaggs, has learned the hiding place to the secret of Andre Toulon the Puppet Master. So, they head to the Bodega Bay Inn that Neil and his wife Megan, played by Robin Frates, had recently acquired in order to search for the secret of Toulon. Once there, they learn of Neil's untimely death and find out they may be about to meet their doom at the hands of Toulon's puppets.

We really enjoyed "Dolls" and "Child's Play," so we decided to continue our killer doll mini-marathon with "Puppet Master." It was while watching this feature that we hit a brick wall of boredom and our awesome little killer doll adventure was derailed. What we were hoping for was a movie focused on Toulon's killer puppets, and though they eventually show up at the tail end of the film, far too much time is spent focused on the human characters. We neither care for or care about what happens to these four abrasive psychics with piss poor attitudes. We found ourselves waiting for the puppets to show up and do their business and then proceeded to root for them when they did. It really takes too damn long for this movie to get going, and in all the time before the puppets show up, "Puppet Master" is slow paced, devoid of tension, and just not engaging at all. Luckily, the puppets themselves look cool, and we get a little stop-motion animation and other FX work that brings them to life. Each puppet has its special trick and different attribute, so we get a bit of creativity there, but beyond that, there isn't much else with this flick. It's poorly acted, badly written, and not well directed, and it is one of the more forgettable killer doll movies. It's a bit of a mystery to us how it spawned so many sequels.


My Rating: 3.5/10
BigJ's Rating: 3.5/10
IMDB's Rating: 5.7/10
Rotten Tomatoes Rating: 43%
Do we recommend this movie: No.

Monday, October 23, 2017

Movie Review: "Dolls" (1987)

Image Source
Movie"Dolls"
Director: Stuart Gordon
Year: 1987
Rating: R
Running Time: 1 hour, 17 minutes

A family on summer vacation gets stuck in the mud on a stormy night. They seek shelter in the home of a nearby toymaker and his wife. They are allowed to stay the night with a few other storm-weary travelers, though it may wind up being their last night alive as the toys in this house may not quite be what they appear to be.

Beware kind, old couples who readily let strangers stay in their doll-infested home. Killer doll movies seem to have been all the rage in the late 80's. "Child's Play" is obviously the most notable of the genre, but a year prior in 1987 came Stuart Gordon's "Dolls." Gordon is known for directing numerous horror films like "Re-Animator," "From Beyond," and "Dagon." The feature is written by Ed Naha, who worked on movies like "Troll" and "Honey, I Shrunk the Kids." It stars Ian Patrick Williams as David Bower, a very bad father who neglects his daughter and is more interested in his wealthy new wife Rosemary, played by Caroline Purdy-Gordon, who is the definition of a wicked stepmother. Joining them is Carrie Lorraine, who plays David's mistreated daughter Judy, as well as Guy Rolfe and Hilary Mason, who play Gabriel and Hilary Hartwicke, the toy makers who invite the Bower family into their home when they get stranded in a storm. Also in the film Cassie Stuart, Bunty Bailey, and Stephen Lee as the three more weary travelers who get stuck in the torrential downpour and are invited into the Hartwicke home. The Hartwick couple seems too kind to be true, but these stranded travelers could not imagine what tests they would endure in the night to come.

Remember that scene in "Toy Story" when all of Spike's toys come to life and attack him? Well, that's basically what happens in "Dolls." This is a fun, creepy story where seemingly innocuous toys and dolls come to life to kill the morally reprehensible. Many horror films offer a moral tale to go along with gore and mayhem, and this one is no different. If you are mean, nasty, cynical, and self-serving, you can be sure these toys will come for you in the night.

The magic of bringing these toys to life seems to be achieved through both puppetry and stop-motion animation. The stop-motion aspect gives the film a really cool look. There is a lot of humor in the movie as well. We get a lot of little jokes and darkly humorous situations. Stuart Gordon has a knack for these low budget comedic terror films, and if you have liked any of his other work, you will enjoy this one as well. The acting isn't great and the dialogue is often super cheesy, but it still manages to be a really good time none the less. It is every bit as good as almost any other killer doll movie we have seen.


My Rating: 7/10
BigJ's Rating: 7/10
IMDB's Rating: 6.4/10
Rotten Tomatoes Rating: 62%
Do we recommend this movie: Sure, why not?

Sunday, October 22, 2017

Movie Review: "The Foreigner" (2017)

Director: Martin Campbell
Year: 2017
Rating: R
Running Time: 1 hour, 54 minutes

When a man's daughter is killed in a terrorist bombing, he goes on a personal mission to find those responsible and vows to bring them to justice. As he searches for answers, a politician with IRA ties does his own investigation in order to gain political favor with the British while simultaneously avoiding the bereaved father's wrath.

What would you do if someone killed your child? What lengths would you go to see the person or persons responsible brought to justice? When the daughter of Quan Ngoc Minh, played by Jackie Chan, is killed in a terrorist attack, he will stop at nothing to make sure the bombers are found and brought to justice. Quan approaches a Northern Irish politician named Liam Hennessy, played by Pierce Brosnan, in search for answers. Hennesy has past ties to the IRA, and Quan believes Liam knows who the bombers are or may at least have information that will point him in the right direction. Until he gives him what he needs, Quan will make sure he is Liam's worst nightmare. "The Foreigner" is directed by Martin Campbell who is known for directing films like "GoldenEye," "Casino Royale," and "The Mask of Zorro." The screenplay is written by David Marconi and is based on the novel "The Chinaman" by Stephen Leather.

If you go into this film expecting a typical light-hearted Jackie Chan flick akin to something like the "Rush Hour" series, the "Shanghai Noon" series, or even something like "Rumble in the Bronx," you're going to be quite disappointed. This is a far more serious and far more dramatic political crime thriller. Jackie Chan still gets to do his ass kicking thing and manages to have some excellent fight sequences with well choreographed, fantastic martial arts action.

Much of the story, however, focuses on Pierce Brosnan and the politics behind the bombing and the subsequent investigation to find the culprits. It also delves into an exploration of the former IRA and the power struggle within it regarding the future of the organization. We as an audience know right away who most of the bombers are, but the mystery aspect comes from uncovering who is pulling the strings behind the scenes, who is actively involved, and what their motivations are for doing so. The story is mostly engaging and we empathize with Quan and his quest as we wonder who is at fault and who is trustworthy. It's great to see Jackie Chan doing a more serious role such as this. He wears the pain of his past on his face, and losing his daughter in this tragic bombing is his final straw. Pierce Brosnan is also good, though he seems to be using an over-exaggerated Irish accent despite the fact that he himself is Irish. It's actually kind of painful at times to hear his over the top cadence.

As for flaws, the movie does drag quite a bit in one or two places. We usually don't mention things about movie scores, but the odd techno-synth score doesn't fit the tone of the movie and took us out of the film at times. Overall, "The Foreigner" is interesting and keeps us invested in the story. Jackie Chan is excellent, Pierce Brosnan is good, and it is a very solid thriller that we enjoyed.

My Rating: 6.5/10
BigJ's Rating: 7/10
IMDB's Rating: ~7.3/10
Rotten Tomatoes Rating: ~59%
Do we recommend this movie: Sure, why not?

Movie Review: "Child's Play 2" (1990)

Director: John Lafia
Year: 1990
Rating: R
Running Time: 1 hour, 24 minutes

The Good Guy toy manufacturer has been trying to cover up the incident with Chucky while simultaneously reconstructing Chucky to prove he's just a normal doll. They were wrong. Meanwhile, after his mom is placed in a mental institution, Andy is put in foster care, but the family who has taken him into their home doesn't seem to want him and all his baggage.

Chucky is back and is ready to play "hide the soul." Much like the first film, "Child's Play 2" is about a murderous doll possessed by serial killer Charles Lee Ray trying to put his soul in the body of a young child named Andy so he doesn't have to stay a doll forever. Josh Lafia takes over as director for this installment, but Don Mancini does return to write another in-depth and nuanced screenplay...OK, OK, the film is about as deep as a kiddy pool and is as nuanced as a plain hamburger from McDonald's. That doesn't mean it isn't fun. Returning to the cast are Alex Vincent as Andy Barclay and Brad Dourif as voice of Chucky. New to the cast are Jenny Agutter and Gerrit Graham, who play Andy's foster parents Joanne and Phil Simpson, and Christine Elise as their older foster daughter Kyle.

One may ask how a sequel to "Child's Play" got made when Chucky wound up burned and blown to bits in the original film. Clearly, they needed a plot device to set this sequel in motion, and that device is the greed of a big toy manufacturing company. This is a company so afraid of the bad press from one their dolls possibly being a murdering psychopath that they completely rebuild the doll in question to prove he wasn't a murdering psychopath, only to find out he was......oopsy daisy!! Apart from that small difference, the same story from the original Chucky applies almost beat for beat. Chucky tries to find Andy, nobody believes that Chucky is real until he comes to life right before murdering them, wash, rinse, repeat until almost everyone is killed.

Despite being mostly a rehash of the first film, we still managed to have a decent time watching "Child's Play 2" mostly thanks to Brad Dourif's voiceover and the bits of comedy that get sprinkled into this horror flick. It really is the character of Chucky that carries these movies and makes them so much fun. For the most part, Andy simply runs around yelling about how the doll is going to kill him while everyone else is a single-dimension character who keeps insisting that Andy is just a little off his rocker. In a world full of silent lumbering slashers, the foul-mouthed, loud-mouth Chucky is always a nice, frequently funny change of pace.


My Rating: 6/10
BigJ's Rating: 6.5/10
IMDB's Rating: 5.8/10
Rotten Tomatoes Rating: 40%
Do we recommend this movie: Sure, why not?